
Some all-timers back in the racks this week
Clube da Esquina is a 1972 double album by the Brazilian music artists collective Clube da Esquina, credited to Milton Nascimento and Lô Borges. Considered one of the greatest Brazilian albums and an important record in the history of Brazilian music, it features arrangements by Eumir Deodato and Wagner Tiso, and conductions by Paulo Moura. The album garnered high attention for its engaged compositions and miscellany of sounds. Indeed, the LP was considered in the list of the Brazilian version of Rolling Stone as the 7th best Brazilian album of all time. In 2022, the album was ranked number 1 on the Discoteca Básica podcast's 500 Greatest Brazilian Music Records list and Spin ranked the album at number 19 in its list for the 50 Best Albums of 1972. Despite popular belief, the photo on the album cover does not depict Borges and Nascimento as children. It was taken by a member of the collective, Brazilian photographer Cafi (Carlos da Silva Assunção Filho), on the side of a road in the rural northern Rio de Janeiro state.
Pick up Clube da Esquina here
You Can’t Hide Your Love Forever finds Orange Juice redefining indie pop with scratchy guitars, bouncing basslines, and Edwyn Collins’ wry lyrics—sharp, self-aware, and effortlessly catchy, it’s the sound of a band making pop music on its own terms (we also have Rip It Up and Edwyn Collins' Gorgeous George back in too). Rainy Day plays like a hazy dream, as Kendra Smith (Opal) and David Roback (The Rain Parade/Mazzy Star) stretch classics by the Velvets, Dylan, and Big Star into slow-motion melancholia, dissolving into pure atmosphere. Ralf and Florian captures Kraftwerk in transition—two guys in a room, playing with machines and stumbling onto something futuristic, a warm, woozy, and exploratory moment before the sleek minimalism to come. And Minutemen’s debut, The Punch Line, distills their brilliance into 18 songs in 15 minutes - not a single second wasted, a whirlwind of punk, funk, and political fire—too restless to be boxed in, too sharp to be ignored.
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